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All Steve Roach releases in 2004:
 magnify | CD out of stock | iTunes | Bandcamp | Places Beyond: The Lost Pieces 4 Steve Roach 2004 Timeroom Editions 14 (CD) Reviewed by e|i magazine, Synthtopia, Wind and WireWith this 4th edition of the Lost Pieces series at hand, it's clear more than ever that these unique releases seem to have a curious way of taking on an interconnected life of their own. An undercurrent of congruency between the pieces is consistently apparent in these projects and in this release, even though the pieces were created over a longer span of time and under unique and seemingly disparate situations. As a starting point, I will draw from a large pool of unreleased and lost tracks. It's like shuffling through a large box of puzzle pieces looking for the shapes and colors from which to begin telling a particular story that I'm discovering along the way. It's very much a mosaic, formed out of the richness that each piece or soundworld passage holds on its own. From there the combined resonance of the pieces starts to take over and fully reveals itself as a whole. Making the outcome more than simply a collection of pieces, this kind of process results in a structure, theme, and sonic storyline that could not be arrived at through other routes traveled on a tighter timeframe with specific intentions. -- Steve Roach, November 2004
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2, 3 with Vir Unis; 5 with Vidna Obmana |
 magnify | Holding the Space: Fever Dreams II Steve Roach 2004 Timeroom Editions 13 (CD) Reviewed by e|i magazine, Hypnagogue, Morpheus Music, Ping Things, Tokafi"Brace yourself for one of the most stunning tribal-ambient-atmospheric recordings ever made. In HOLDING THE SPACE, the second installment in the FEVER DREAMS series, soundcurrent wizard Steve Roach dishes up a heroic dose of powerful sonic textures saturated with archetypal power from the collective ancestral depths. Take a breath and plunge head-first into an astonishing blend of meticulously crafted synth worlds and multi-layered throbbing grooves, augmented by the high-velocity percussion of Byron Metcalf and the achingly beautiful vocals of Jennifer Grais. This holotropic recording pulses with life and spirit, beckoning each of us to journey to our depths to discover (or recover) what possibilities we are destined to embody. This is archaeology of the soul." – Frank MacEowen, M.A., author, shamanic-guide
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1. | The Wounded Healer | MP3 | 9:20 | |
2. | Energy Well | MP3 | 7:17 | |
3. | Opening the Space | MP3 | 6:18 | |
4. | Heart's Core | MP3 | 8:49 | |
5. | Fires Burning | MP3 | 9:03 | |
6. | Metamorphic | MP3 | 9:59 | |
7. | Holding the Space | MP3 | 21:23 | | |
 magnify | Mantram Steve Roach, Byron Metcalf, Mark Seelig 2004 Projekt PRO160 (CD) Reviewed by Amazon.com, e|i magazine, Hypnagogue, Morpheus MusicLike the living, breathing, meditative movement of the Sufi trance dance, MANTRAM is grounded in a reverence for the slowing of time which allows the natural reflective process to emerge. Slow heartbeat-like acoustic frame drum, overtone voice, Didgeridoo, Bansuri flute, and Tamboura drones mix with a majestic tapestry of organic electronic textures, offering the sonic equivalent of the power found when gazing into timeless Mandala images found in classic sacred art. The entire CD holds a consistent interconnected feeling that seems to spiral outwards when experienced in repeat playback.
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1. | One | MP3 | 14:54 | |
2. | Two | MP3 | 8:24 | |
3. | Three | MP3 | 3:54 | |
4. | Four | MP3 | 3:38 | |
5. | Five | MP3 | 14:12 | |
6. | Six | MP3 | 11:34 | |
7. | Seven | MP3 | 10:35 | |
8. | Eight | MP3 | 6:21 | | |
| Fever Dreams Steve Roach 2004 Projekt PRO154 (CD) Reviewed by All Music Guide, amazon.com, amazon.com, Ambient Musings, Ambient Review, Ambient Visions, Ambient Visions, CD Services (UK), Electroambient Space, Electronic Shadows, Hypnagogue, Morpheus Music, Ping Things, Sonic Curiosity, Tokafi, Tokafi, Valley Scene (San Fernando Valley, California), Wind and WireWithin the opening moments of FEVER DREAMS' first track, "Wicked Dream" featuring Patrick O'Hearn on bass, it is clear that a new chapter is opening on Steve Roach's long and winding pursuit of potent soundworlds far off the traveled path. The music's foundation is built upon long mid-tempo hybrid grooves with strong bass elements created from a combination of acoustic and electronic means. Steve Roach's atmospheric and loop-spun melodic guitar textures rise and fall, intermix with his synth and computer alchemy to create an aura of complex emotional import. The overall feeling of FEVER DREAMS is one shrouded in an exotic amber-colored light filtering through an overgrown mental landscape of last night's lingering FEVER DREAMS; the sensual atmosphere is especially present on the 30 minute track "Tantra Mantra" featuring percussionist Byron Metcalf. This release of floating, hypnotic groove meditations sets the course on a new direction presented over the three interconnected "Fever releases" planned throughout 2004.
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1. | Wicked Dream | MP3 | 18:41 | |
2. | Fever Pulse | MP3 | 10:34 | |
3. | Tantra Mantra | MP3 | 29:36 | |
4. | Moved Beyond | MP3 | 14:30 | | With Patrick O'Hearn (bass), Byron Metcalf (percussion). |
| Spirit Dome Steve Roach, Vidna Obmana 2004 Projekt PRO152 (CD) Reviewed by All Music Guide, Ambient Musings, Ambient Visions, CD Services (UK), Hypnagogue, MusicTAP, Sonic Curiosity, Synth Music Direct, Wind and Wire, www.Metal-Only.comSteve Roach / Vidna Obmana's 2002 CD INNERZONE served as the doorway to the surreal environment explored on SPIRIT DOME. Recorded in one continuous 74-minute session, this is a dark sanctuary of pure texture and beautiful, if not at times foreboding, dissonance pulled along with pulsing beats, subtle loops and dense soundworlds. The single piece, "Spirit Dome," captures a chilling gothic ambience that offers the exploration of remote psychological states of awareness. This is achieved by way of extensive live processing of instruments including fujara (overtone flute), guitar, and the seemingly bottomless wellspring of electro-acoustic sounds found only in the duo's soundscapes.
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Tracks flow together as a continuous performance, but are indexed for convenience. |
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